Ed Sheeran appears in court accused of plagiarising Marvin Gaye hit


New York: Musician Ed Sheeran appeared in a New York courtroom yesterday accused of plagiarising a Marvin Gaye music, with legal professionals claiming they’d “smoking gun” proof the British pop star was conscious of the similarities.

At concern within the case are alleged “placing similarities and overt widespread components” between Gaye’s 1973 soul basic Let’s Get it On and Sheeran’s music Considering Out Loud. The plaintiffs are the heirs of Ed Townsend, a musician and producer who co-wrote Gaye’s hit.

Ed Sheeran walks into Manhattan federal court on Tuesday in New York.

Ed Sheeran walks into Manhattan federal courtroom on Tuesday in New York.Credit score: AP Photograph/Brittainy Newman

Ben Crump, a distinguished civil rights lawyer representing Townsend, directed the jury in his opening assertion yesterday to the video of a 2014 dwell gig in Zurich, wherein Sheeran merges the 2 songs, alleging it was tantamount to “a confession”.

“When you will have a confession in hand, usually one doesn’t must look elsewhere for the perpetrator,” Mr Crump says of the video of Sheeran performing. The proof on this case goes to point out that Sheeran recognised the magic of Let’s Get It On and determined to seize a little bit of that magic.”

Sheeran’s Considering Out Loud shot up America’s Billboard Sizzling 100 charts when it was launched, and received him a Track of the 12 months award on the Grammys in 2016.

Sheeran, 32, appeared on as his lawyer, Ilene Farkas, insisted Sheeran and a co-writer, Amy Wadge, wrote their music independently and didn’t steal from Townsend and Gaye.

Kathryn Griffin-Townsend, daughter of Ed Townsend who co-wrote the song “Let’s Get It On,” center, arrives at federal court in New York, US, on Tuesday.

Kathryn Griffin-Townsend, daughter of Ed Townsend who co-wrote the music “Let’s Get It On,” middle, arrives at federal courtroom in New York, US, on Tuesday.Credit score: Stephanie Keith/Bloomberg

Sheeran’s staff contests the allegations, saying “there are dozens if not lots of of songs that predate and postdate” Gaye’s music, “utilising the identical or related chord development”.

“These medleys are irrelevant to any concern within the case and can be deceptive [and] confuse the jury,” she added.

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